Part 1, talking about making the posters for this show, can be read here.
A couple of months after the posters were completed, I sat down with the show’s producer to work on the programme. Having made the programme for Maskerade last year, and doing a bunch of layout work at my job, I had more experience at it this time around.
For a start, I asked the producer how many pages it was going to be, and what the basic layout was. This is the very very first draft:
Don’t laugh, it’s useful!
The Bradford University Society of Operettas and Musicals – BUSOM for short – performed their 2015 main show last week. Moby Dick! The Musical sees a St. Trinian’s-like girls school (complete with headmistress played by a man in drag) putting on a musical version of Herman Melville’s novel to save their bankrupt institution; hockey sticks for harpoons and all.
BUSOM’s staple poster creator has graduated, moved away, and become very busy. I was picked to work on the main show this year. That meant it was up to me to get that ‘play within a play’ message across.
First up, posters for the cast auditions. Over the post-Xmas holidays I came up with the below pic, for the production team to surround with the relevant text. This was the birth of Audition Whale, drawn with Illustrator’s standard but useful Charcoal brush.
Audition Whale quickly gained fans.
Look at its stripy school tie!
This year’s Valentine’s Day celebration / penance wasn’t cards for selected individuals: It was a benevolent lucky dip for everyone at work. Here’s how it came together…
The first task was learning to make an origami heart – these are the instructions I followed.
I bought a roll of red paper, cutting it into 7cm squares.
Why a roll of paper? There needed to be one heart for every member of staff present that day, plus a few spares.
I assembled 121 of the things.
Another year brings another February 1st. I’ve completed Hourly Comic Day 2015; my fifth. It was quite eventful considering it was a Sunday.
This was my third year visiting Thought Bubble Leeds comic art festival. Usually I will do a lap to see what’s there, then second time around buy items and get them signed. It took longer to get around this year: Firstly, they’ve gone from two large rooms to three. Secondly, I was taking notes…
There’s the old stereotype of guys who are always ‘working on their novel’. For me, it’s a comic book. Three short comics, actually. There are plans to get them done, self-published, sold. Those plans are currently like clay plonked on a mat; going though a lot of moulding before they’re stuck in the oven. So I talked to the experts attending and selling at Thought Bubble. The guys with book deals and large hardback editions, and the new starters, their baby fresh off the work photocopier. Picking up tips on process, production, contacts. Here’s a few simple pieces of advice gleaned…