This time next week, the 24 Hour Show will kick off.
At the Bradford Playhouse on Friday night, Bradford Uni’s musicals society (BUSOM) will learn what show they’re performing for the paying public exactly 24 hours later. Everyone stays up all night, learning songs and lines, building set (safely!), painting, rigging, sewing… and eagerly anticipating the breakfast butty run.
I thought the show poster had featured on this blog already, but my post about the 2014 event pre-dates it. Let’s rectify that right now. Behold, the 24 Hour Show 2016 poster:
Audition Friday – Perform Saturday – Sleep Sunday.
The Bradford University Society of Operettas and Musicals – BUSOM for short – performed their 2015 main show last week. Moby Dick! The Musical sees a St. Trinian’s-like girls school (complete with headmistress played by a man in drag) putting on a musical version of Herman Melville’s novel to save their bankrupt institution; hockey sticks for harpoons and all.
BUSOM’s staple poster creator has graduated, moved away, and become very busy. I was picked to work on the main show this year. That meant it was up to me to get that ‘play within a play’ message across.
First up, posters for the cast auditions. Over the post-Xmas holidays I came up with the below pic, for the production team to surround with the relevant text. This was the birth of Audition Whale, drawn with Illustrator’s standard but useful Charcoal brush.
Audition Whale quickly gained fans.
Look at its stripy school tie!
This month The New Bradford Playhouse put on an in-house production of Maskerade, adapted from the Terry Pratchett book of the same name (think Phantom Of The Opera with humour and witches). I haven’t been on that stage in a long time, and love the works of Pratchett, so I signed up.
My main role was one of the stagehands who are actually part of the play, so as well as spouting lines i’d shift furniture, in sight and out of sight of the audience. I had two other bit-parts in one scene each, with quick costume changes. Along with learning script, stage directions and set mechanics, I also made the show’s programme, some posters, two Papier-mâché masks for the cast, and one mask for myself. In 4 weeks. Oh, and I started a new full-time job at the same time. Continue reading
As per usual in a design company trial, a bit ago I had to make a layout out of supplied assets. I got to keep an A3 printout as a souvenir; as that memento is a bit crinkled, attracts dust, and doesn’t fit in my scanner, I quickly recreated a neater pic for you:
…Lay across my InDesign spread.
Yes, today’s theme is layouts: Recently I put together a few new compositions, and polished up a couple of older ones.
When it comes to publishing software, there’s essentially two rival firms: Adobe (them of Photoshop) make InDesign, while Quark produce QuarkXPress. I haven’t used the latter for a long time, so I was sure to roughly re-create at least one of these ID works in QXP, looking up how to do particular actions when required. While features like arranging items forward/backward have yet to be discovered, it served as a good refresher task.
So, play the gallery theme in another tab and scroll down: You can click on any of the images for a larger view.
InDesign version on the left, Quark practice on the right. The Donkey Sanctuary’s website has a pleasing colour scheme, which has been carried over to this. I also used a method from The Sun newspaper, in that specific words are made bold for emphasis.
Moving on to this magazine cover, there’s a lovely triple meaning in the cover line “Second Life”: First off, it’s the name of an unrelated but well-known video game. Secondly, Vampire: Bloodlines is based around Vampires – creatures in their ‘second life’. Finally, Bloodlines has been given a new lease on life since the development studio closed, as fans fixed bugs and restored incomplete content!